Monday, August 20, 2012
Anchor It Down
Tuesday, July 24, 2012
Recycled Kitchen Drawers
Saturday, June 16, 2012
Acrylic Texture
Sunday, January 1, 2012
Happy New Year!
What better way to start off my 2012 blogs than to show a video clip of the Ocala Plein Air Painters in the trenches. Actually, it is a compilation of pictures from our past paint outs. The Ocala Plein Air Painters get together the first saturday of the month for a morning paint out at different locations throughout Central Florida and paint from life. After our morning painting session we get together for lunch and have good conversation. Anyone wanting to paint with our group is more than welcome to come along. Simply visit Ocala Plein Air Painters website and visit our paint outs page. Hope you enjoy watching this video as we sling paint on our canvases. Now Let's Paint!
Friday, December 9, 2011
Original Art for the Holidays
Tuesday, November 29, 2011
The Art of Healing
Local Plein Air Painters and myself were mentoring a few nurses of the Munroe Regional Medical Center of Ocala in a project called The Art of Healing. This is the second time I participated in this event which took place at Sholom Park. It was a beautiful sunny but cool November day. The day started out with breakfast, then painting and ended with a scrumptious lunch. I had a good time sharing what I know about plein air painting. The nurses seem to have a good time as well with the hands on instruction. Jessica S. W. McCune an R.N. of the Hospital is the person that put this whole thing together. Among the professional painters that participated were Peggy Watts, Carole Lopez, John Breen, Nancy Moskovitz, Milly Sheffer and Diana Crow just to mention a few. The nurses walked away with beautiful landscape paintings and a better understanding of what Plein Air Painting is. I was glad to participate in this event once again, and am looking forward to the next one. Now Let's Paint!


Wednesday, April 6, 2011
Sell Yourself

My note cards fit perfectly in my easel.



Thursday, February 10, 2011
Italian Mural




Sunday, January 2, 2011
New Years Eve
Just before Christmas I finished another wall mural that I will be posting up soon so stay tuned. I wanted to share with you my new years eve project. I was painting or should I say touching up our purple martin decoys. That's right I have a couple of fake purple martin birds perching on their houses. They were a little dull from being up there last year and needed a fresh coat of paint. Also, to add to the mix we play a cd in the back yard with the sounds of purple martins. My neighbors just love the sounds of purple martins on repeat. ;-) I am trying to raise the odds of attracting martins this spring. I sure hope this is the year, and trust me if we don't succeed it's not for lack of trying. Keep your fingers crossed.

Besides having a passion for drawing, painting, and photography; I also have a passion for playing an acoustic guitar. I spent new years eve with my wife Terry and playing the guitar with my friend The Legendary Barbara Beam www.barbarabeam.com
Well most of the time I was trying to keep up with her, but all in all we had a good time. It was fun playing next to a warm heater surrounded by X-Mas lights that made the whole evening special. Happy New Years!

Having fun strumming.
Monday, December 27, 2010
Wildlife Habitat


Monday, December 6, 2010
Belleview Art Festival

Sunday, October 17, 2010
Art in the Garden

Monday, October 4, 2010
Painting at Sholom Park

16"x20" Acrylics on Canvas

Friday, September 17, 2010
Mural, Mural on the Wall
This summer I had another opportunity to paint a large mural. This was a 10'x10' mural project in the front entryway of a beautiful two story home. Cypress wood was used throughout this beautiful home ie; large cypress tree trunks as columns, exposed cypress ceiling beams, large cypress steps leading to the upstairs and so much more. The mural was a scene from pictures I had taken of the Silver River in Ocala, Florida. My client wanted me to incorporate a gator, herron, and turtles in their mural even though they are not seen in these pictures. It was good to paint a large mural again.
On another note, in the past blog, I had mentioned how my studio was occupied with house furniture due to a flood in our house. I am very glad to say that my studio is back to normal again instead of a storage place. So it's time again for Jose to start painting in his studio. Now let's paint!


The finished mural.
Saturday, May 15, 2010
Out of Commission
Wow! it has been one hell of a winter and spring for me. I have been out of commission for about three months now. At least out of commission from my studio works.
My studio work came to a stop this past winter which has been one of the coldest winters in my 20 yrs. in Florida. To put things in perspective, it all started when one of our water pipes in the house busted and flooded 4 of our rooms, including hallways. The majority of the rooms had carpeting which all had to be replaced. Our homeowners insurance helped with some of the expenses. It's a very long story so I am trying to keep this short.
All our furniture had to be moved into my studio, hence the out of commission from studio work. This turn in my life however did not keep me from painting outdoors once a month with my group OPAP (Ocala Plein Air Painters). Thank goodness I could still swing a brush to keep my painting skills sharp.
It has been a long three months of major repairs in my home with everyday and weekends devoted to repairing our home. My wife and I are starting to see the light at the end of the tunnel. I can't wait to get my studio back in order to start painting, blogging and spending quality time with my friends and family. Now, Let's paint!

Wednesday, January 27, 2010
Double Vision
In an earlier blog I talked about painting two panels side by side. I decided to share this painting project as well. This project was a couple of hand painted signs for the Hilton of Ocala.
I usually do not like to paint the same painting twice. I find it very boring to repeat the same subject over and over. If painting the subject twice wasn't bad enough, I had to paint the same exact painting about 20 feet up on the front entrance of the Hilton building. This time the painting was about a 5'Hx10'W mural.
The two smaller paintings were resting on my makeshift easel. I had them very close together so as I painted a particular area on one, I would immediately do the same to the other. It was a scene to see me go from side to side like a large digital printer, only it was just me flinging around a brush and paint.
These signs were to be installed outdoors in an entry driveway of the Hilton, so I used a high gloss outdoor enamel sign paint. After the paintings were fully dry I sprayed them down with a clear finish for added protection.
Even though I do not like to paint the same exact subject over and over again, sometimes one needs to bite the bullet and do what is necessary in order to pay those pesky bills. Now let's paint!

Wednesday, January 6, 2010
Paintings in Progress
This is kind of a funny story looking back at it now. For the most part I like to choose my subjects for my paintings. My wife always says Jose does what Jose wants to do and when he wants to do it. Which brings me to this story.
My wife and I have always wanted to finish an area on our back patio. Well, the visit of my sister-in-law and her husband during the holidays motivated us to finally do something about it. Family visits always have a way of pushing one to finish a long overdue project. I only had three days to finish two 4'x2' vertical paintings and have them hung up by the time our guests showed which was supposed to be on the fourth day.
Not being the type of artist that likes to paint for decor purposes, this was that type of project commissioned to me by my lovely wife Terry. Terry wanted the paintings to tie in with our backyard which is a beautiful lush garden that is hard to describe without one actually seeing it to appreciate it. It was also to match with the blue color theme that she had going in this area; hence the decor part.
The paintings are a project continuation from the article I posted earlier about blending a background. Keep in mind I had three days alloted and I usually do not paint for more than three hours per session; 4 hrs tops. I had plenty of time for the scene in my mind. I painted the background one evening. The next day I started the painting in the afternoon. I figured I would finish on the third day if I worked all day. Not!

As I was painting on the last day alloted and I think I was 3/4 of the way done with the painting, the phone rings. Guess who is showing in about an hour. You see our guests decided to drive through and show up a day earlier than scheduled and surprise us. Ahhhh! But I'm not finished! The panic fills the air. Working quickly, I slap some paint here and there, and then the edges because it is a gallery wrap canvas and would look silly if the paint did not continue on the sides.
I told my wife I would need to finish it at a later date and proceeded to hang the paintings. As we were hanging the paintings the edges where still wet enough to come off on my hands as we hung them. I was working in acrylics as usual so you can imagine how quickly I took them off my wall easel. It was a stressful time but looking back, it seems kind of funny now. I still have hours left to finish the paintings because the paintings are still missing more foliage, highlights and blue tinted birds of paradise flowers to match the blue theme. So in essence the patio project I have procrastinated on for some time now is still not completely finished. Well, it's back to the studio for final brush strokes. Now let's paint!
Tuesday, December 1, 2009
Blending a Background
I wanted to show a gradient of color as a background on my latest painting project. Blending large areas with acrylics is not an easy task to accomplish. The acrylics unlike oils like to dry fast which leads to possible un-uniform or a poor gradual transition from one color to the next.
When I want to cover a large area I make sure I have plenty of paint mixed up so as not to run out and then try to re-mix more paint and not have the exact combination to match the earlier mixture. Painting a gradual transition on a smaller canvas is a lot simpler than a larger canvas such as a 24"x48" which is the case in this project.
In order to make my transition of color look smooth, I mix three different mixes of the same color. By this I mean I would take the original mix, only this time I would add some white to lighten it up. This would give me my middle tone. Then I would take that combination and make an even lighter mix and that would give me my high tone "lightest value". So in essence I have three different swatches of paint on my palette, once again a step not needed when it comes to a smaller canvases.
I was working on two panels at the same time in order to maintain consistency because these panels are to be placed almost side by side so I wanted it to look uniformed. I placed both canvases on a table only because these were gallery wrap canvases and I wanted to get the edges at the same time. Working quickly, I stated at one end "bottom" with my darker color painting towards the center; once close to the center of the canvas I added the mid-tone and blended the two colors together. Making sure my brush was clean I added the lighter mix and blended it with the mid-tone, then continued to paint to the end of the canvas "top" with the lightest color.

24"x48" gallery wrap canvases painted on a table.

24"x48" canvases on my wall easel ready for paint.
One thing to remember is that you have to make sure you have a clean brush for the purest color areas. If you happen to also know how to use an air brush, this is an alternative way. What can I say, I got lazy and did not want to set up my guns, let alone the clean up work. You might want to have an extra brush or two for the blending areas. I always went back and quickly cleaned my brush. With practice and a no fear attitude of making a mistake you too can blend your backgrounds with acrylic paints. Now let's paint!
Wednesday, November 18, 2009
A Good Rule
A good composition always makes a painting or photograph a more interesting piece of artwork. Besides the subject and colors being used, composition plays a big role in the project. An easy rule to follow for a good composition is to use "The Rule of Thirds." This is an easy rule or guide to follow without getting hung up on the mathematical formulas of the Golden Ratio, aka the Golden Mean, The Divine Proportion, and I'm sure there are others. For many years, designers, photographers, videographers and painters have been using the rule of thirds for good compositions of their work/designs. Please keep in mind this is just one type of compositional technique that can be used. There are others such as formal balance, and the imbalanced. The rule of thirds technique is an informal balance composition from which I prefer to use.
The rule of thirds is the process of dividing your canvas or whatever support you may be using into thirds. Divide your support into thirds with two imaginary vertical and horizontal lines on your support. Anywhere the imaginary lines intersect is the location your main center of interest should be placed or at least close enough to it. During the design phase it's always a good idea to look for pointers that will help lead the viewers eyes to the center of interest. It could be a tree line, path, tree branch, shadows or if your subject is something other than a landscape, try to arrange elements to point the viewer to your center of interest ie; drapery, edges of furniture, wall, chair, etc. You do not have to paint everything that you see out there either. Use your creative license to add or subtract elements in order to make your painting an overall better composition.

When I am taking pictures for possible studio works I also use the rule of thirds while taking the photographs. As I am looking through my viewfinder of the camera I will turn the camera vertical and horizontal, zoom in, and out if needed in order to look for a good composition while using the rule of thirds technique. This saves a step in the design process later when you are looking through photos for possible painting subjects. You can still use this technique with older pictures by doing some cropping in the photographs. So, the next time you are designing your next masterpiece, keep the rule of thirds in mind for a better composition. Now let's paint!
Tuesday, November 10, 2009
Mixing Colors
Mixing colors on my pallet is not the only place I apply this process, I also mix my paints directly on the canvas, pushing two colors together in order to create a third or even fourth color. I usually pick up a dab of paint from my pallet, make a brush stroke on my canvas, go back to my pallet and pick up another color and mix it in with the previous stroke on my canvas. I will continue to push the paint around till I get what I was looking for. Try to keep in mind not to over mix the colors because then you will lose the color and might wind up with mud or a dull look to your paintings.
I never use the colors straight out of the tube. My colors are always a mixture of two or more colors from a tube. Besides the colors that I use for my pallet that I wrote about in one of my earlier articles, "Talk About A Limited Pallet", I make my own black or at least I should say a dark color that looks black in relation to its surrounding colors. I achieve this dark color by mixing raw umber, hunter green, cerulean blue and red. If I want a grey, I will add white to the dark color that I just made. For a true natural green I mix raw umber, and hunter green. Cadmium yellow is added to the green mix in order to get the different values of green. I also like to add a little blue to the green to show different types of foliage. I try not to use white by itself because white tends to be on the cool side. I will often mix just a little yellow oxide to my titanium white to get a warm white.


I try to use at least three different values of a particular color on an area I am working on, however four or more is even better. These values would be your dark-tones, mid-tones, and high-tones. Anything else between these tones is icing on the cake. I always come back at the end and add highlights here and there where needed.
Not being afraid of making mistakes is always a good attitude to have when painting. Sometimes this is the only way one will learn what works for them. Think to yourself, "My next painting is going to be even better because of what I have learned today in this painting session". Always try to do better the next time around. Remember what worked and what did not and before you know it your paintings will have that professional look to them. Now let's paint!






